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Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now

Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now

Hedda Sterne & Moira Dryer

June 22, 2018 - November 21, 2021

Crossroads mines our collection for stories that resonate today by highlighting the critical role of the artist in everyday life.

 

This complete reinstallation of our postwar and contemporary art galleries places the work of artists at the intersection of history and society. We’re also bringing dozens of rarely and never-before-shown works out of storage. Curator Eric Crosby finds pockets of depth, diversity, and eccentricities, organizing the galleries in a series of “chapters.”

 

Crossroads is organized by Eric Crosby, The Richard Armstrong Curator of Modern and Contemporary Art.

Emphatic: American Painting from the Collection

Emphatic: American Painting from the Collection

Hedda Sterne | Krannert Art Museum

February 28, 2019 - May 12, 2019

Through composition, subject matter, and paint application—along with such tools as an implied grid, arresting color, and brushwork— artists in the second half of the twentieth century engaged profoundly with the materiality of paint and its potential to convey both grandeur and intimacy.

Hedda Sterne: Printed Variations

Hedda Sterne: Printed Variations

Amon Carter Museum of American Art

July 28, 2018–January 27, 2019

From luscious leafy tendrils to stark horizon lines, this exhibition of prints by Hedda Sterne (1910–2011) celebrates the artist’s exquisite variety of formal interests. Although most often associated with a group of artists called the “Irascibles”—avant-garde forerunners of Abstract Expressionism—Sterne defied stylistic categorization. Her aesthetic experimentations fluctuated between organic and geometric, figural and abstract, and painterly and graphic. All share, however, a passionate attention to detail and form.

 

Drawn from the Amon Carter’s collection, this selection of lithographs features two thematic series that Sterne completed at the Tamarind Lithography Workshop in 1967: Metamorphoses, a study of the vegetal folds of a head of lettuce, and Vertical-Horizontals, a study of the atmospheric recession of the horizon. Both series expose Sterne’s highly original style and her intense exploration of a single theme over the course of many experimental compositions.

Epic Abstraction: Pollock to Herrera

Epic Abstraction: Pollock to Herrera

Hedda Sterne | The Metropolitan Museum of Art

November 28, 2018 - Ongoing

Epic Abstraction: Pollock to Herrera will begin in the 1940s and extend into the twenty-first century to explore large-scale abstract painting, sculpture, and assemblage through more than fifty works from The Met collection, a selection of loans, and promised gifts and new acquisitions. Iconic works from The Met collection, such as Jackson Pollock's classic "drip" painting Autumn Rhythm (1950) and Louise Nevelson's monumental Mrs. N's Palace (1964–77), will be shown in conversation with works by international artists, such as Japanese painter Kazuo Shiraga and the Hungarian artist Ilona Keserü. The exhibition will be punctuated with special loans of major works by Helen Frankenthaler, Carmen Herrera, Shiraga, Joan Snyder, and Cy Twombly.

 

In the wake of unprecedented destruction and loss of life during World War II, many painters and sculptors working in the 1940s grew to believe that traditional easel painting and figurative sculpture no longer adequately conveyed the human condition. In this context, numerous artists, including Barnett Newman, Pollock, and others associated with the so-called New York School, were convinced that abstract styles—often on a large scale—most meaningfully evoked contemporary states of being. Many of the artists represented in Epic Abstraction worked in large formats not only to explore aesthetic elements of line, color, shape, and texture but also to activate scale's metaphoric potential to evoke expansive—"epic"—ideas and subjects, including time, history, nature, the body, and existential concerns of the self.