In his Camerata studio, immersing himself in the newly found inspirations, Held worked laboriously in tackling the reconciliation he had been searching for throughout his career. In Italy, Held worked primarily in watercolor, a medium he liked because of its immediacy, fluidity and the directness it gave him. Held’s visions offer an unmoored vantage point, conceiving of perspectives that are illusive and imaginary through the manipulation of basic geometric objects within often contradictory and converging planes. While the watercolors he made in Italy influenced the immense paintings he produced in his Boiceville studio, Held considered his watercolors to be a separate completed body of work.
Essay: Barbara Rose
Softcover, 32 pages