Diebenkorn’s early works from the late 40s through the mid 50s are considered among the finest examples of postwar American abstraction. Illuminating Diebenkorn's formative period, they suggest a fluidity present in his later process, which was marked by shifts into figuration and representational forms, and prefigure the iconic Ocean Park paintings.
Characterized by gestural, calligraphic lines and lush fields of color, these works reflect the growing momentum of abstraction pushed forward by many artists of the period. Evoking the terrain in which Diebenkorn lived—luminous swaths of ochre and marine tend to dominate—offering a convincing rejoinder to the New York School, and of work by contemporaries like Pollock and de Kooning.
Essay by Mark Lavetelli
Softcover, 48 pages