Josh Blackwell, Rebecca Morris, Ree Morton
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Overview
May 3 – June 5, 2016 | 195 Chrystie Street, NY, NY 10002
11R is delighted to present Josh Blackwell, Rebecca Morris, Ree Morton, on view from May 3 through June 4 at 195 Chrystie Street. This three-person exhibition features recent sculpture by Josh Blackwell, paintings and watercolors by Rebecca Morris, and work from the 1970s by Ree Morton, bringing together three artists who consider the possibilities of poetic intervention into the everyday.
By embroidering and stitching onto such items as plastic bags and oven mitts, Blackwell transforms commonplace objects into visionary sculptures. Blackwell’s pieces, entitled Never Uses, are displayed alongside the abstract works of Rebecca Morris, whose conscious emphasis on geometry and topography contrasts with Blackwell’s irregular, organic forms, despite both artists’ shared affinity for and sensitivity to surface. Ree Morton’s pieces – staged on their own in the project room of 11R’s West gallery – provide a historical reference point for Blackwell and Morris, as her use of personal narrative, utilization of language, and idiosyncratic approach to color and materials were pioneering in her lifetime. Morton’s work has been described by the art historian Lucy Lippard as deploying “confrontational innocence,” and her art informs this multi-generational exhibition with its consideration of intimacy, humor, and quotidian beauty.
Josh Blackwell (b. 1972) lives and works in Brooklyn, NY. Recent solo and group exhibitions include Kate MacGarry, London; John Tevis Gallery, Paris; Rachel Uffner, New York; Ooga Booga, Los Angeles; Elizabeth Dee, New York; Invisible Exports, New York; and many others. Josh Blackwell is represented by Kate MacGarry, London.
Rebecca Morris (b. 1969, Honolulu, HI) lives and works in Los Angeles, CA. Rebecca Morris’ work will be included in the upcoming Made in LA: a, the, through, only, at the Hammer Museum. Recent solo and group exhibitions include 356 Mission Rd, Los Angeles; Bonnefanten Museum, Maastricht; Corbett vs. Dempsey, Chicago; Kunsthalle Lingen, Lingen; David Zwirner Gallery, New York; Gavin Brown’s Enterprise, New York; and others. She is also the author of MANIFESTO (For Abstractions and Friends of the Non-Objective). Rebecca Morris is represented by Corbett vs. Dempsey, Chicago, IL, and Galerie Barbara Weiss, Berlin, Germany.
Ree Morton (b. 1936, Ossining, NY; died 1977, Chicago, IL) was the subject of a landmark retrospective at the Reina Sofia, Madrid in 2015. Important exhibitions during her lifetime include Artists Space, NY; the Institute of Contemporary Art, Philadelphia; and the Whitney Museum of American Art, NY; among many others. Her work is included in major museum collections in the US and Europe. The estate of Ree Morton is represented by Alexander & Bonin, NY
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Works
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Rebecca Morris Untitled (#06-15) 2015 Oil on canvas 91 x 90 inches (231.1 x 228.6 cm) RMo 1
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Josh Blackwell Neveruses (Split Flow Expand), (alternate view) 2016 Plastic, wool, silk, paper, fabric, acrylic, rope 18 x 17 x 3.5 inches (45.7 x 43.2 x 8.9 cm) JBl 11
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Josh Blackwell Neveruses (Split Flow Expand) 2016 Plastic, wool, silk, paper, fabric, acrylic, rope 18 x 17 x 3.5 inches (45.7 x 43.2 x 8.9 cm) JBl 11
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Josh Blackwell Neveruses (Unprincipled) 2014 Plastic, wool, silk, paint, paper 15.5 x 15 x 4 inches (39.4 x 38.1 x 10.2 cm) JBl 12
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Josh Blackwell Neveruses (Unprincipled), (alternate view) 2014 Plastic, wool, silk, paint, paper 15.5 x 15 x 4 inches (39.4 x 38.1 x 10.2 cm) JBl 12
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Josh Blackwell Neveruses (Rotate Mix Tie), (alternate view) 2016 Plastic, wool, silk, paper, wire, foam 22 x 23.5 x 25 inches (55.9 x 59.7 x 63.5 cm) JBl 6
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Josh Blackwell Neveruses (Rotate Mix Tie) 2016 Plastic, wool, silk, paper, wire, foam 22 x 23.5 x 25 inches (55.9 x 59.7 x 63.5 cm) JBl 6
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Rebecca Morris Untitled (#261-14) 2014 Watercolor on paper 24 x 18 inches (61 x 45.7 cm) RMo 10
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Ree Morton Settings (Signs of Love) 1976 oil on plywood 13½ x 18 inches / 33 x 43 cm ReeM 2 Image courtesy of Joerg Lohse and Alexander and Bonin Gallery
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Ree Morton Weeping Willow ca. 1974 Enamel on celastic mounted on wood 24 x 50 x 3 1/2 inches / 61 x 127 x 9 cm ReeM 4 Image courtesy of Joerg Lohse and Alexander and Bonin Gallery
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Rebecca Morris Untitled (#12-15) 2015 Oil on canvas 104 x 85 inches (264.2 x 215.9 cm) RMo 2
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Rebecca Morris Untitled (#02-16) 2016 Oil and spray paint on canvas 48 x 48 inches (121.9 x 121.9 cm) RMo 3
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Rebecca Morris Untitled (#141-14) 2014 Watercolor on paper 24 x 18 inches (61 x 45.7 cm) RMo 8
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Rebecca Morris Untitled (#230-13) 2013 Watercolor on paper 24 x 18 inches (61 x 45.7 cm) RMo 7
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Rebecca Morris Untitled (#132-13) 2013 Mixed media on paper 14 1/4 x 10 1/4 inches (36.2 x 26 cm) RMo 4
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Josh Blackwell Neveruses (Weave Chip Cover) 2016 Plastic, wool, silk, thread, wire 18 x 14 x 5.5 inches (45.7 x 35.6 x 14 cm) JBl 8
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Josh Blackwell Neveruses (Weave Chip Cover), (alternate view) 2016 Plastic, wool, silk, thread, wire 18 x 14 x 5.5 inches (45.7 x 35.6 x 14 cm) JBl 8
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Josh Blackwell Neveruses (Shorten Spill Match) 2016 Plastic, wool, silk, paper 19 x 15 x 3.5 inches (48.3 x 38.1 x 8.9 cm) JBl 10
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Josh Blackwell Neveruses (Shorten Spill Match), (alternate view) 2016 Plastic, wool, silk, paper 19 x 15 x 3.5 inches (48.3 x 38.1 x 8.9 cm) JBl 10
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Ree Morton Signs of Love 1976 Oil on plywood 13.5 x 18 inches (34.3 x 45.7 cm) ReeM 3
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Ree Morton Don't worry, I'll only read you the good parts 1975 Oil on celastic 54 x 26 inches /137 x 66 cm ReeM 1 Image courtesy of Joerg Lohse and Alexander and Bonin Gallery
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Josh Blackwell Neveruses (Porter) 2015 Plastic, wool, silk, paper, elastic, wooden base 12 x 10 x 3.5 inches (30.5 x 25.4 x 8.9 cm) JBl 2
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Josh Blackwell Neveruses (Feline) 2015 Plastic, wool, silk, paper, acrylic paint, wooden base 15 x 13 x 2.5 inches (38.1 x 33 x 6.4 cm) JBl 1
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Installation Shots